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The curtain wall of terra cotta that expresses the inner steel skeleton was a radical departure from the heavy masonry of building in this period.
This tall building is the only example of Sullivan's work in New York.
The surface of the spandrels is suppressed behind the piers and mullions.
With this building, Sullivan revolutionized the way architects think about tall buildings.
As a full-bred representative of the "Chicago School" style it has the typical vertical accentuation by pilasters ending in ornamental friezes underneath the extruding cornices.
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